"Item #AT-0491- Fritz George Melbye (Fritz Sigfred Georg Melbye) (1826

Item #AT-0492

Fritz George Melbye (Fritz Sigfred Georg Melbye) (1826 - 1896) Oil on Board

Description:

Fritz George Melbye (Fritz Sigfred Georg Melbye) (1826 - 1896)"On the Doorfelt Mountains, Norway"
Oil on board
12 x 10” unframed
23 x 20.75” Framed
Signed lower right
Verso Philadelphia Sketch Club label

Provenance:
Estate of Ronald Williams, New Jersey
Albany Institute of History and Art, Exhibition ,The Pissarro-Melbye-Church Connection 1998
John Marshall Family of Palisades NY 1918-1998
First Annual Prize Exhibition Philadelphia Sketch Club 1865 (Grand prize Winner)
Letters from:
William C. Patterson past president of Philly Sketch Club,
Tammis Groft Chief Curator and later Director of Albany Institute of History and Art

Fritz Melbye was born on 24 August 1826 in Elsinore, Denmark. He trained as a painter under his older brother, Anton Melbye and, in 1849, set off for the Danish West Indies, settling on Saint Thomas. There he met the young Camille Pissarro whom he inspired to take up painting as a full-time profession. Pissarro became his pupil as well as close friend.

In April 1852, Melbye was on Saint Croix, preparing a trip to Venezuela. Pissarro decided to join him and they spent two years together in Caracas and the harbor city of La Guaira before Pissarro returned to Saint Thomas. Melbye stayed until 1856 and then briefly returned to Europe, living some time in Paris, before traveling to North America where he set up a studio in New York City.

He continued to travel widely, mainly to the Caribbean but also north to Newfoundland. A close friend in New York and frequent travelling companion on his Caribbean travels was the famous American landscape painter Frederic Church, who also had a studio in New York.

In 1866, Melbye set off on a journey to the Far East in search of new adventures, leaving his studio in Church's care. In Asia he used Peking as a base for travels around the region which also took him to Japan. He died in Shanghai three years later.

Fritz Melbye initially painted seascapes in the family tradition his brother had taught him, but he increasingly turned to landscapes, coastal and town views. He preferred a realistic style, often with romantic scenes. He exhibited at Charlottenborg in Copenhagen from 1849-1858.

In Peking he was commissioned to paint the Imperial Summer Palace and during his years in America he exhibited at the Pennsylvania Academy of Fine Art.